A predictable intention to tell the story and remember it. It is a constant search, not of answers, but of certain satisfaction, and of an alleged reason of tradition when we believe to have one through the repetitions of patterns, which lead us to an apparently safe and happy history-. Nelson Álvarez use color as the matrix of memory, and within it, the images surface, utopias and its denials. By radicalizing the object representation, presence lets us grasp time. Nelson registers this knowledge by depicting the mutual invasion of color and representation in some sense, have nothing to do with the way color behaves or represent itself in the shared world of experience. His work represents the infinite world of his imagination, -his body of work includes painting, collage and drawing in which he combines abstract figuration, journal entry in energetic architecture.

Alexis Mendoza